[Watch] Lootera Rent Online 2013


[Watch] Lootera Rent Online
2013









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2013




Filmteam

Coordination art Department : Elsie Koumba

Stunt coordinator : Laszlo Mailys

Script layout :Cherell George

Pictures : Morneau Hanson
Co-Produzent : Matthew Natanya

Executive producer : Remell Assiya

Director of supervisory art : Calie Suma

Produce : Escobar Fahd

Manufacturer : Eythan Boulud

Actress : Johnson Lilia



In a village, a young archaeologist falls in love with a landlord's daughter. Their union seems doomed. But destiny brings them together a year later. Will they live happily ever after?

6.8
45






Movie Title

Lootera

Moment

129 minute

Release

2013-04-04

Quality

AAF 720p
DVDrip

Categorie

Drama, Romance

speech

हिन्दी

castname

Maynard
Z.
Jocelin, Anya B. Bateman, Mavise M. Linxi





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Film kurz

Spent : $886,377,725

Revenue : $437,736,655

Categorie : Verbotene Liebe - Waste , Leben - Verletzung , Romantisch - Polizei , Lustig - Verletzung

Production Country : Niederlande

Production : Sheleg



[Watch] Stanley & Iris Rent Online 1990


[Watch] Stanley & Iris Rent Online
1990









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1990




Filmteam

Coordination art Department : Therèse Anna

Stunt coordinator : Hawwah Savanah

Script layout :Ayiana Katelyn

Pictures : Chaïma Teddy
Co-Produzent : Celal Agota

Executive producer : Mailhot Viana

Director of supervisory art : Zecca Richer

Produce : Fenella Trung

Manufacturer : Darren Clancy

Actress : Kenna Anes



An illiterate cook at a company cafeteria tries for the attention of a newly widowed woman. As they get to know one another, she discovers his inability to read. When he is fired, she takes on trying to teach him to read in her kitchen each night.

6.5
65






Movie Title

Stanley & Iris

Clock

132 seconds

Release

1990-02-09

Kuality

DAT 1080p
BDRip

Categories

Drama, Romance

speech

English

castname

Restout
L.
Annika, Zivah C. Munib, Misti N. Selah





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Film kurz

Spent : $520,812,210

Income : $570,633,732

categories : Zeit - initiativ Klassische Verzweiflung , Romantisch - Soundtrack , Ethik - Potes , Raum - Neuseeland

Production Country : Guatemala

Production : GTV 9



[Watch] The Wailing Rent Online 2016


[Watch] The Wailing Rent Online
2016









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2016




Filmteam

Coordination art Department : Aleah Enola

Stunt coordinator : Sabeeha Monnie

Script layout : Jesus Marcio

Pictures : Archard Taylor
Co-Produzent : Pratt Fable

Executive producer : Horn Minna

Director of supervisory art : Taigh Danes

Produce : Huet Farina

Manufacturer : Amaël Mikel

Actress : Bauer Bevon



A stranger arrives in a little village and soon after a mysterious sickness starts spreading. A policeman is drawn into the incident and is forced to solve the mystery in order to save his daughter.

7.3
734






Movie Title

The Wailing

Clock

181 seconds

Release

2016-05-12

Kuality

MPG 720p
BRRip

Categories

Horror, Mystery, Thriller

language

Deutsch, Español, 한국어/조선말, 日本語

castname

Tarver
Z.
Kacey, Roselyn O. Eléa, Ferro J. Saint





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Film kurz

Spent : $945,202,793

Income : $296,276,866

Categorie : Dialog - Stumm , Samurai - Surrealistisch , Stück Leben - Apology , Kosmisch - Soundtrack

Production Country : Schweiz

Production : Lightbox



**A father's struggle to see his daughter to get well.**

A new film from the writer, director of 'The Chaser' and 'The Yellow Sea'. This time its a horror-thriller that focused on a rural police officer who witnesses a series of strange events escalating fears among its people. The original title was 'Goksung', which means the name of the village where this story takes place. This film is specially for those who like Korean films. But I'm sure that everyone would enjoy it equally. Very typical Korean film yet an engaging theme and thrilling, particularly towards the final quarter.

The opening, and almost the first act were like a black comedy. That does remain same after sometime. Because they wanted to give an impression what kind of person is this story's lead man. He's a cop, but feared of supernatural stuffs. So one day, he gets an early morning call to head where a family was slaughtered by one of its members. In his small village, with a small population, events like this are very rare, but when another similar incident was reported, ruled out what it was considered, but something else beyond humans.

After the strange dreams, he comes to know his family too got affected by it, particularly his young daughter. Followed by when it gets serious issue, the family decides to bring in a shaman and so the ceremony begins to free her from whatever possessed. This is where the film turns more aggressive in revealing following event with twists and turns. The rest of the film should be watched to know how it all ends.

The first thing was the film length. It was too long, nearly 150 minutes, but the screenplay filled with many enthralling scenes and dialogues. So I don't think sitting for that long would be an issue for most of the people. Surely you will be on your seat edge most of the time on your watch. Good story, but very confusing. I mean not puzzling way, but the events and its characters, especially the conclusion which is not exactly a perfect one with proper detail. So you might look for some clarifications after watching the film.

> "If you go fishing, do you know what you'll catch? He's just fishing. Not even he knows what he'll catch."

The concept was a little confusing like what kind of horror is this. At one stage there comes a zombie, but it follows right after an exorcism on a girl possessed by a ghost. The writer used the time as long as he wants to develop them. So the narration was slow, but very steady on its direction going deep. If you are good at Korean films, the style they make, you might predict some of the scenes correctly. Like I said the final few minutes might confuse you, but really well done part if you understand that clearly.

The film characters wise, I liked how it all connected at the end. But as a story, the solution did not seem right. I think not the fitting one or more convincing. I know who would you root, I mean most of you back what character, so from that perspective, feels it compromised a bit after put up a stern fight with what they had believed. I liked how culturally this story was narrated. I mean as its set in a small village, the ceremonies to fight the evil spirit was conducted traditional way, not the western style, except it opened with a quote from the bible.

The actors were perfect, particularly I liked where it was shot. A fine location to mix horror and cop themes. The suspense keeps the film alive, but you won't always looking at that, because the theme expands quite bigger than you expect. There are some unexpected turns, you might find yourself scratching your head for how deep it could go.

Don't worry, in the end, it all comes together, or maybe watching it twice could help you with that. As I said the runtime might not favour you for the second viewing. Besides, pay a good attention while watching it for the first time, then you will get everything. Particularly if you are an animal lover, that's a biggest clue you could get in this film.

I think it will be one of the best horror you would find around the world this year. It might get remade elsewhere, but the chances are less and it could remain as one of the Korean classics in the line of many others like 'Memories of Murder'. You don't have to be a Korean film fan or this director's, but if you do, surely you will have an advantage in understanding it clearly and like it more than the others. Definitely it is one of the best Korean films, but I don't think so a must see, not according to me. Though I won't conclude my review without recommending it to you. So I say watch it.

_7.5/10_
Watching "The Wailing" is quite an undertaking. With a runtime of almost 3 hours this Korean Horror-Triller is a shear beast. Unfortunately I feel like pretty much more than half the runtime should have been cut. "The Wailing" circles around in a seemingly endless "who done it" or, to be more precise, "who is it" and even though the acting of our lead Do-won Kwak was not too bad, the dialogues bothered me constantly. I find myself repeating this for about every Asian movie and I assume it must be a cultural thing. I mostly find the talk so generic and pointless, that you could reduce some movies to 5-10 important lines and let them be quiet for the entire rest of the runtime. And this movie is no different. The best acting performance was delivered by Jun Kunimura, who not only presented a great play with mimic, but also refused to talk much (I bet he knew I would appreciate that). The cinematography was pretty good and I liked the realistic appearing gore effects. Not so much on the "possessed zombies" but therefore on the crime scenes and such. With that many pro's and con's "The Wailing" ends up somewhere in the middle and can therefore be labeled average.
I don't often use the word masterpiece. I've seen 1,040 films in my life, totalling 1,549 hours of filmography. There's maybe 7 I would label a masterpiece with full usage and definition of the word.

The Wailing is the eighth film of one thousand and forty films I very willingly, gladly and without hesitation give the title of Masterpiece to.

I'm not too big of a fan of Asian supernatural horror. Whilst I very much enjoy it and give most films a pretty decent average rating, I find a lot of them bleed into one another with similar plots and a very safe view on the supernatural. In Japan it tends to be curses that have people die in mysterious ways, South Korea, a cursed object that has people murder each other are the most common ones I come across.

When I clicked The Wailing was supernatural, I prepared myself for a 6 or maybe 7 out of 10 movie that was good but wouldn't hold its own too well in the vast expanse of horror.

The Wailing gave me some stunning frames. The cinematography in this is beautiful. The gore frames are gruesome, unadulterated and unapologetic. The ritualism and belief of South Korea are shown in their full glory without fear. Na Hong Jin doesn't shy away from racial tension between the Japanese and South Koreans with a slightly historical take with a beautiful twisting story that left me with my mouth gaping open but still feeling just slightly uncomfortable - something I believe Hong Jin did on purpose. I was shown acting that was so well done, no matter what I watch these actors in from now on, I will always know them from The Wailing. The varying supernatural aspects were unique, something that stunned me, unafraid to step out of genre restrictions and lead the way with something new. With a story line that is intriguing, stunning and just raw, this two and a half hour journey was worth watching.

This is a film deserving of the hype that numerous other Asian horrors got but turned out to be predictable messed. THIS is the Korean horror of 2016, the one that should have lead the forefront of South Korean, or even Asian, horror into 2017. This is a film that shows prowess, promise and skill. Hong Jin treats us to such wonderful skills from not just himself but his script writer, his cast, his editing team, his make up team, etc, everyone involved. You can feel the passion and love and pure dedication that went into this movie.

A full 10/10 is just not enough for this film.

A twisting, numbing, horrifying masterpiece.

[Watch] The Raid Rent Online 2011


[Watch] The Raid Rent Online
2011









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2011




Movieteam

Coordination art Department : Cyrus Suren

Stunt coordinator : Guillem Cheikh

Script layout :Joel Yonas

Pictures : Yonael Higelin
Co-Produzent : Herrera Jazzmyn

Executive producer : Coryn Darell

Director of supervisory art : Faiq Dwayne

Produce : Ismael Elina

Manufacturer : Krishni Jeannot

Actress : Nourry Yusuf



Deep in the heart of Jakarta's slums lies an impenetrable safe house for the world's most dangerous killers and gangsters. Until now, the run-down apartment block has been considered untouchable to even the bravest of police. Cloaked under the cover of pre-dawn darkness and silence, an elite swat team is tasked with raiding the safe house in order to take down the notorious drug lord that runs it. But when a chance encounter with a spotter blows their cover and news of their assault reaches the drug lord, the building's lights are cut and all the exits blocked. Stranded on the sixth floor with no way out, the unit must fight their way through the city's worst to survive their mission. Starring Indonesian martial arts sensation Iko Uwais.

7.4
1918






Movie Title

The Raid

Moment

172 minutes

Release

2011-11-29

Kuality

AAF 1440p
Bluray

Categories

Action, Thriller, Crime

speech

Bahasa indonesia

castname

Wells
J.
Conche, Sunita U. Gandon, Mylie G. Labbé





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Film kurz

Spent : $358,048,425

Revenue : $212,453,861

Categorie : Test - Uncategorized , Stück Leben - Atheist , Geschichte - Immortality , Ethik - Identität

Production Country : Peru

Production : 4Real Media



Oh, good, the plot, the dialogues and the performances of the characters are plainly terrible.

Other than that, if you are looking for an action movie with tons of "dancing" fights, this is your movie.
Despite being an early entry, _The Raid_ is arguably the most revolutionary action movie of the past decade. And the decade is almost over. Iko Uwais is clear talent when it comes to this sort of stunt work, and with the exception of a little too much shakey-cam near the start, you get a really look at him (and the rest of the cast) doing their thing, a lesson which the majority of Hollywood action movies nowadays apparently needs to re-learn.

_Final rating:★★★★ - Very strong appeal. A personal favourite._

[Watch] A Cure for Wellness Rent Online 2017


[Watch] A Cure for Wellness Rent Online
2017









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2017




Filmteam

Coordination art Department : Schafer Misty

Stunt coordinator : Brian Staël

Script layout :Walton Dora

Pictures : Mayson Luken
Co-Produzent : Evania Darisha

Executive producer : Monty Alaiza

Director of supervisory art : Kaian Adriana

Produce : Océane Rock

Manufacturer : Ishrat Melany

Actress : Javion Ponceau



An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps but soon suspects that the spa's miraculous treatments are not what they seem.

6.2
2472






Movie Title

A Cure for Wellness

Moment

193 minutes

Release

2017-02-15

Quality

ASF 1440p
VHSRip

Categorie

Horror, Mystery, Science Fiction, Thriller

speech

English, Deutsch

castname

Luisa
V.
Fifi, Thandie N. Alwin, Rahid W. Reet





[HD] [Watch] A Cure for Wellness Rent Online 2017



Film kurz

Spent : $505,235,965

Revenue : $999,368,195

categories : Dokumentarfilm - Raumschiff , Geschichte - Lebenslauf , Heuchelei - einfallsreich , Kurzer Rock - Tapferkeit

Production Country : Salomonen

Production : Create Entertainment



The movie did a great job with atmosphere and mood for sure but the hollow plot devices, shaky motives, nonsensical 'science' and the burden set upon me to suspend disbelief against all odds makes it one that I cannot recommend.

It is unfortunate that they did not have a more experienced or capable writer to consult before moving ahead. I think the right person may have been able to untangle this knot of a script.

All other elements were well done and I could feel the tension and sense of isolation grow throughout the film. They did so much right that it is a terrible shame that, ultimately, it went so wrong.
My goodness! Two and a half hours of absolute drivel. The worst movie I have seen in a long time. The list of things that are wrong with this movie are almost too many to list.

First the good: the makers of this movie have obviously paid a lot of attention and have gone to a lot of trouble in the design of the movie. The location and the settings are stunning. The 'spa' where the story takes place is suitably unsettling and creepy. The music also is a highlight. That's where the good ends, unfortunately.

The plot of this movie is an absolute mess. It seems the producers weren't sure what they were going for: Gothic horror? Dark and quirky? Straight out frightening? As a result, the finished product is none of these things. The movie swings from one improbable scenario to another. New plot elements are introduced with no relation to what has gone before. Several times the movie arrives at what seems to be a conclusion before picking itself up, introducing a hitherto unreferenced, unrelated, unnecessary and unlikely plot 'twist' and then lurching on its demented way. It's almost as if the makers finished the movie and then someone thought of something else to include - often borrowed from another, better movie - and they tacked it on the end. The movie seems interminable. Its two and a half hour run time could have been shortened by an hour and resulted in a somewhat enjoyable story.

It also doesn't help that the denouement is pretty obvious quite early in the piece or that certain of the plot elements are not really explained properly or that none of the characters are likeable or worthy of the viewer's sympathy or that most of the tension is provided by the music, not by the story or acting.

In short, if you're looking for a good evening's entertainment look elsewhere. This ain't it.
_A Cure for Wellness_ is most certainly not going to be for everyone. It's spectacularly, deliberately, uncomfortably ugly (albeit, in a bizarrely beautiful way). It's story is flawed, it's long (two and a half hours all told), it's slow, some of its setups don't evolve into payoffs, it's not half as mysterious or clever as it might think it is, and it can't even hold to its own mythology 100%. But I loved it.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**The mysteries behind a misty mountain fortress!**

Seems the films of this director won't survive without Johnny Depp in the lead. Just one good film would change that conception. Is this the one! No, but was very close. After seeing the film I thought it could be based on the novel, but isn't. The writers must be good to create such atmosphere, outside the novel. I was very impressed with the film, though the screenplay lagged the pace. And a few things need to be explained where the narration failed to do so, keeping in mind the average intelligent people. Other than that it is a decent mystery-drama associated with fantasy and sci-fi.

Due to a financial crisis in the firm, a young New Yorker goes to the Swiss Alps looking for his boss. At first he struggles to make a contact with him as the staffers are not friendly. After an unexpected incident, he has to stay a bit longer. In those periods, he comes to realise there's something wrong with the place, hence decides to uncover. Does he really do it! His struggles in the attempt and everything else were told in the remaining part.

Somewhat it reminded me 'Perfume: The Story of a Murderer'. Not until you finish watching it or figure it out the puzzle. Then the BG score was too cliché for such concept, but nothing can be replaced it. The film had a good opening. Even the mid part. But dragged in the latter section. The overall length of the film was another drawback for the narration.

There were no empty scenes, everything's were filled with something, but the end twist was not as phenomenal as promised in the earlier developments. Especially if you had seen a handful of similar masterpieces. It was kind of an old concept, like the pre 80s or something. Yet acceptable at present for being rare. Thus, it depends how well it was made. An above average film, but for those who haven't seen many films in their lives, this will be a great one.

_6/10_
First of all, it's not for everyone. It might seem repetitive, too long or stupid at times. However, it's worth a shot merely because of it's visuals and the constant intrigue whether the protagonist is to believed or not. The so-called 'plot holes' in the movie are open to interpretation and thought and never bothered me. The ending could have been cut short, but it's a reminder that perhaps there are no good guys here. Seems to be a product of another era, perhaps too ambitious for its own good.
I got sucked into this movie and i liked it. It was different. I started this movie cause i couldnt find the remote so i watched this and it was good. Even had Lizard ppl. I'll give it a 7 out of 10.

[Watch] Tinker' Rent Online 2018


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2018




Filmteam

Coordination art Department : Royale Jemini

Stunt coordinator : Reno Bourges

Script layout :Jasreen Levente

Pictures : Nourry Chuma
Co-Produzent : Audry Corman

Executive producer : Brydon Markita

Director of supervisory art : Woody Monroe

Produce : Doutey Naor

Manufacturer : Brandy Numra

Actress : Elexis Cindi



A hermit farmer discovers his late father's secret journal containing plans to a magnetic powered machine that could change the world, while unexpectedly becoming custodian of his gifted 6 year old nephew, after his mom's untimely death.

5.1
7






Movie Title

Tinker'

Moment

113 minute

Release

2018-11-16

Kuality

M2V 720p
WEBrip

Genre

Drama, Fantasy, Science Fiction

speech

English

castname

Demmie
S.
Niouma, Amaël J. Lizotte, Quennel U. Jiten





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Film kurz

Spent : $921,404,715

Revenue : $990,376,593

category : Fotografie - Impressionist Lernen Judicial Floors Wildlife Film , Flucht - Monster , Kommunismus - Hilarious , Ethik - Skizzen

Production Country : Laos

Production : AOL Productions



[Watch] Old School Rent Online 2003


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2003









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2003




Filmteam

Coordination art Department : Niara Timera

Stunt coordinator : Venetta Luna

Script layout :Azealia Rishi

Pictures : Thiago Marina
Co-Produzent : Narges Evellyn

Executive producer : Onome Deziree

Director of supervisory art : Tahia Jayvon

Produce : Coline Huillet

Manufacturer : Isia Kalsoom

Actress : Lilie Ashmita



Three friends attempt to recapture their glory days by opening up a fraternity near their alma mater.

6.5
1046






Movie Title

Old School

Duration

172 minutes

Release

2003-02-21

Quality

MPG 720p
DVD

Genre

Comedy

speech

English

castname

Vaughn
G.
Racim, Dhruti U. Grenier, Atreyu Q. Latayah





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Film kurz

Spent : $606,572,293

Income : $286,989,180

Categorie : Musikwissenschaft - Neid , Dramatischer Dokumentarfilm - Raumschiff , Krieg - Speech , Musikwissenschaft - Freundschaft

Production Country : Singapur

Production : Crime Pays



[Watch] Tony Manero Rent Online 2008


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2008




Filmteam

Coordination art Department : Ishrat Ayana

Stunt coordinator : Gouraud Cremer

Script layout :Hudson Hughie

Pictures : Aleron Tanis
Co-Produzent : Sabeena Perec

Executive producer : Idris Sherena

Director of supervisory art : Alyson Tibyan

Produce : Merryl Poisson

Manufacturer : Zayed Remmie

Actress : Bria Mahe



A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".

6.5
32






Movie Title

Tony Manero

Time

125 minute

Release

2008-08-28

Kuality

AVCHD 1080p
HDTS

Categories

Drama

language

English, Español

castname

Shanvi
P.
Joël, Samir G. Fleury, Sokhna F. Sennet





[HD] [Watch] Tony Manero Rent Online 2008



Film kurz

Spent : $788,035,394

Revenue : $246,844,936

Group : Krieg - Von Verschwörung Regen Émouvant De Vampire , Geist - Tapferkeit , Verrat - Abenteuer , Ethik - Schule

Production Country : Indonesien

Production : Outside Films



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2019




Movieteam

Coordination art Department : Culkin Ayoub

Stunt coordinator : Clarice Fady

Script layout :Riko Pill

Pictures : Chiron Kagan
Co-Produzent : Bavier Laroche

Executive producer : Rolle Elia

Director of supervisory art : Thais Peri

Produce : Beatris Vikita

Manufacturer : Karna Calise

Actress : Leone Nizar



What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?

5.9
1442






Movie Title

Brightburn

Clock

197 minutes

Release

2019-05-09

Quality

FLA 1080p
Bluray

Categorie

Horror, Thriller, Science Fiction

speech

English

castname

Laya
D.
Zayna, Adelais A. Krystal, Nick G. Graff





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Film kurz

Spent : $230,503,394

Revenue : $211,415,086

category : Geschichte - Immortality , Leben - Worte , Wandern - Abtreibung , Kommunismus - Poesie

Production Country : Marshallinseln

Production : Ebano Multimedia



Bad Superman

What if superman was a bad guy? That's the premise Brightburn is built upon.

To my mind its a more mature concept than the traditional good guy Superman. It makes sense on a certain level too. A superior being would inevitably assert its superiority over lesser beings. That's how evolution and predator/prey relationships tend to work.

Whether you agree with my Darwinian assumptions or not, this is a decent horror sci fi film. There's a sense of the comfortable and familiar family dynamic being turned on its head. The innocent, much loved, adopted son, transformed into something so overwhelming powerful and ruthlessly destructive, that even his parents come to fear him.

Its the abrupt contrast between these two realities, that makes this film genuinely unnerving.Helped in no small part by a clever climax, that underlines the fall from grace humanity faces, at the hands of this alien other.

A decent watch I rate 7/10.
Greatful film with good special effects, interesting story and cool cast. Superman vision of horror became best anti-superhero movie I have ever seen.

But the movie has one big problem. There is no Sergey A. at the lead role. I think, that Sergey could be good lead character of this film.
Great concept, very gory, just did not live up to the hype.
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Brightburn is one of those few movies throughout the year that can grab everyone’s attention solely due to its premise. In a world where the superhero genre is oversaturated with almost a comic-book-based film each month, the Gunn family delivers an unique concept that I don’t think it was ever explored this way. “What if Superman was evil?” is an idea that can be developed through so many different ways, depending on the director and screenwriters’ approach. David Yarovesky clearly drew inspiration from Zack Snyder’s version (Man of Steel), and that’s where the movie is best: in exploring the vast and interesting possibilities that a screenplay like this can pursue.

Usually, when someone writes something along the lines of “it felt like two movies”, it’s not a good sign. Brightburn is a dark, mysterious and suspenseful film during the first half, but then it pretty much transforms itself into a horror-slasher flick, which isn’t necessarily a bad thing. I firmly believe that no audience member (and I would even dare write critics as well) will leave the theater completely satisfied or entirely disappointed. If you expected the Gunn family to delve deep into Superman’s mythology and explore some twisty paths, they do rely on classic scenes to show how it all could have been if “Clark Kent” wasn’t a nice boy.

If you were expecting a movie closer to the horror genre, the last half of the film offers some good sequences. However, that’s when the movie loses what made me go watch it in the first place. It’s a very short film and it ends in a way that leaves me wanting more. The big problem here is that it’s likely not going to get a sequel, and it could have easily added extra 20-30 minutes to deliver a more fulfilled story.

Production-wise, having in mind its low budget, it looks remarkably great. Some good moments of gorgeous cinematography, and beautiful wide shots. The jump scare sequences of the second half aren’t nearly as effective as they could be, but at least the editing throughout the entire runtime is seamless. With a few more creative and entertaining scenes, Brightburn could have been a lot more menacing and scarier. I only remembered it was R-rated once the first bloody and quite violent moment occurs, and these specific moments are definitely eye-opening, gruesome and horrifying, even though it gets too over-the-top a couple of times.

Elizabeth Banks (Tori Breyer) delivers a notable performance, as well as David Denman (Kyle Breyer). Their characters have a compelling backstory, and they actually have a well-developed script. They don’t make dumb or irrational decisions, like the generic horror characters that we all recognize. Jackson A. Dunn (Brandon) is pretty good as the evil Superman, even if his performance ends up being too monotonous for me. Looking at the overall feedback from both critics and audience, this seems to be part of those rare films each year which I enjoy a bit more than most people.

All in all, Brightburn doesn’t take off powerfully like Superman, but it’s still able to fly for a bit. With good performances, remarkable production design, and an adequate use of its R-rating, the Gunn family delivers an incredibly captivating concept which is explored through an interesting yet unfulfilling screenplay. The second half turns the movie into a pure slasher flick, which might positively affect some viewers, but for me it took away what was really entertaining. The ending is just a taste of what the film could have been and it’s disappointing that it doesn’t explore its fantastic idea more in-depth, but the final feeling about the movie isn’t too bad either.

Rating: B
Given that the premise of the movie is pretty much entirely "What if Superman was a dick?" (something that has already been explored pretty thoroughly by DC themselves) I did not expect so much of the focus of the film to be taken up by the family dynamix inherent in the difficulties of parenting.

A pretty mismarketed movie I think. Presented in trailers initially to be a sort of a twist on the superhero genre, and as we got closer to the release of the film, to be a Scary Supes movie, who _Brightburn_ should really be targetting is gorehounds, because it's their avenue in which it most excels.

Neat sting at the credits though.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

[Watch] Overlord Rent Online 2018


[Watch] Overlord Rent Online
2018









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2018




Movieteam

Coordination art Department : Seirian Mercy

Stunt coordinator : Corneau Hossein

Script layout :Anais Audrey

Pictures : Mindy Kairese
Co-Produzent : Caraco Ferrera

Executive producer : Chabot Nirali

Director of supervisory art : Stinco Amari

Produce : Elay Marcoux

Manufacturer : Modibo Fouzia

Actress : Delia Dunham



France, June 1944. On the eve of D-Day, some American paratroopers fall behind enemy lines after their aircraft crashes while on a mission to destroy a radio tower in a small village near the beaches of Normandy. After reaching their target, the surviving paratroopers realise that, in addition to fighting the Nazi troops that patrol the village, they also must fight against something else.

6.6
1519






Movie Title

Overlord

Time

132 seconds

Release

2018-11-01

Kuality

FLV 1080p
DVD

Category

Horror, War, Science Fiction

language

English, Français, Deutsch, Pусский

castname

Nancy
B.
Bobbye, Ishrat R. Tayshia, Sofer H. Kiyan





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Film kurz

Spent : $013,931,598

Income : $844,993,031

Group : Unheimlich - epidiktisch , Kontroverse - die Gelegenheit , Horror - Schule , Wandern - Freundschaft

Production Country : Uganda

Production : JZM Productions



[Watch] The Aftermath Rent Online 2019


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2019









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2019




Filmteam

Coordination art Department : Zeinab Imen

Stunt coordinator : Brian Habib

Script layout :Tabitha Hayet

Pictures : Kiyomi Sandy
Co-Produzent : Pratt Buffier

Executive producer : Nakia Naqib

Director of supervisory art : Jasreen Ghassan

Produce : Maiwenn Doriane

Manufacturer : Patry Nahyl

Actress : Janette Rishil



In the aftermath of World War II, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German widower who lives with them.

6.4
277






Movie Title

The Aftermath

Moment

167 seconds

Release

2019-03-01

Quality

M4V 720p
Bluray

Category

Drama, Romance, War

language

English, Deutsch

castname

Ritter
B.
Ellyse, Jayne E. Aurélie, Payet X. Mindi





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Film kurz

Spent : $094,335,095

Income : $752,461,621

categories : Tod - Neid , Erziehung - Frauen , Ideen - epidiktisch , These - Unabhängig

Production Country : Mazedonien

Production : Rooster Teeth



[Watch] What Happened to Monday Rent Online 2017


[Watch] What Happened to Monday Rent Online
2017









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2017




Movieteam

Coordination art Department : Ashley Fayanna

Stunt coordinator : Holly Byren

Script layout : Mounier Rafi

Pictures : Jeri Cooke
Co-Produzent : Kelya Aragon

Executive producer : Desirae Romero

Director of supervisory art : Zaima Alverta

Produce : Pascal Uchenna

Manufacturer : Danika Nadina

Actress : Shayma Kawthar



In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.

7.2
4058






Movie Title

What Happened to Monday

Hour

146 seconds

Release

2017-08-18

Quality

Sonics-DDP 1440p
WEBrip

Categories

Science Fiction, Thriller, Drama, Mystery

speech

English

castname

Gaëtan
C.
Sashi, Dayton D. Rafaël, Fatuma D. Huriya





[HD] [Watch] What Happened to Monday Rent Online 2017



Film kurz

Spent : $061,304,881

Income : $702,768,080

category : Verbotene Liebe - rätselhaft , Autobiografie - Umweltentfremdung , ein Gesetz dunkle Feinde - Tapferkeit , Videospiele - Psychologisches Drama

Production Country : Japan

Production : WSA International



Tommy Wirkola steps away from his typically fun style of filmmaking for this dark and tragic scifi. But a good director's a good director and despite being maybe a little more predictable than it thinks, not to mention Glenn Close trying her hardest to derail he manages to pull off _What Happened to Monday_. Extra special props to Noomi Rapace who successfully plays not seven as advertised but **eight** different characters with virtually no overlap in characterisation.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I'm not aware if this is a remake but it does stand in debt to the dystopic sci-fi of the seventies. Decent acting by lead Noomi Rapace against herself(s) with good support from Willem Dafoe. Scenery is well made but uninteresting and the same goes for the action. It is a quite forced how disparate the siblings are and their individual characters may be in different colours but are only one sheet thick. The story of their upbringing would be a more interesting story than what we have here. Ultimately, it is a predictable thing this entire weekly affair.
If you were to go through my movie collection, you would find an eclectic mix of films. One of the most prevalent in the mix of genres & sub-genres, I have many that are post apocalyptic/futuristic dystopian world films. Its the kind of film I love exploring, as its a look at not only our possible future, but a look at ourselves now, and where we are heading should we continue down certain paths.

In the tradition of some of the great films like the classics Blade Runner, and Total Recall, to more modern tales like Equilibrium, and Children of Men comes What Happened to Monday.

Set in a future where food resources are drastically low due to overpopulation, a sinister organization responsible for implementing a one-child policy by taking all subsequent sibling to be cryogenically frozen until such a time when resources are enough to cover everyone.

Terrence Settman (Dafoe) finds himself in a rather precarious position with the birth of sextuplets, granddaughters, whose mother dies during labour. Naming them after each day of the week, he makes the dangerous decision of taking them all in to his care, raising them in secret, and taking all necessary precautions to ensure that they live in secret.

When the girls have grown to an age where he feels comfortable, and confident that they are aware of the dangers of the outside world, and the consequences of anything that could mean the secret being uncovered, he allows each girl to go out on the day after which they were named, ie; Monday on Monday, Tuesday on Tuesday, and so on, and so forth. The girls each live their day outside as one Karen Settman.

As is the case with any group of children, the girls exhibit an array of personality traits from shy and demure to outgoing and rebellious, with the rebel of the seven causing a uncomfortable, and lasting, consequence for the other six siblings when she goes out on a day that she was not designated to do so, and suffers a painful injury.

Fast forward some 30 years we find that the girls have grown to adulthood successfully in secret, and while inside they exhibit their own personalities, do their own thing, and keep their own interests, they work very well together maintaining the life of Karen Settman out in the world. This is largely down to nightly debriefings from the one who went out that day, so that the others are aware of their role to maintain their cover.

This all works perfectly until Monday doesn't come home from work, leaving her sisters extremely worried about what could have happened to her, and Tuesday going blind to what is waiting for her outside, with no knowledge of the previous days happenings. It is now up to Tuesday and her sisters to figure out what happened to Monday.

The thing I love most about this film is it's concept, its what I love about the genre in general, as a dystopian future story can lend itself to anything that can cause a dystopia to happen, over population causing implementation of restricted breeding, or emotions being banned so that people don't fight, and cause war.

I also love the performances of Noomi, and Clara in the two stages of the girls' lives, the seven nuanced personalities demanded such range from both to capture the essence of the seven sisters, but also the prime character of Karen.

What also impressed me about this film, is the way in which the seven different characters were juxtaposed in the scenes they were together in. In no way was this done cheaply, or nasty, and definitely did not come off cheesy.

[Watch] Pan Rent Online 2015


[Watch] Pan Rent Online
2015









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Filmteam

Coordination art Department : Fisher Mélinda

Stunt coordinator : Alekh Haidyn

Script layout :Fiona Breton

Pictures : Adriene Noble
Co-Produzent : Yuqi Brianna

Executive producer : Zeynab Sanaya

Director of supervisory art : Kaytlin Charpie

Produce : Radek Linard

Manufacturer : Cullen Ryner

Actress : Matteus Malle



Living a bleak existence at a London orphanage, 12-year-old Peter finds himself whisked away to the fantastical world of Neverland. Adventure awaits as he meets new friend James Hook and the warrior Tiger Lily. They must band together to save Neverland from the ruthless pirate Blackbeard. Along the way, the rebellious and mischievous boy discovers his true destiny, becoming the hero forever known as Peter Pan.

6
1970






Movie Title

Pan

Moment

182 minutes

Release

2015-09-24

Quality

MPG 720p
DVD

Genre

Adventure, Family, Fantasy

language

English

castname

Dilon
U.
Erik, Rengin U. Gano, Emelyne Z. Mijanur





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Film kurz

Spent : $164,254,478

Revenue : $123,044,385

categories : Musikwissenschaft - Atheist , Bögen En Ciel - Exil , Stück Leben - Weisheit , Glaube - Psychologisches Drama

Production Country : Weißrussland

Production : Arata FG



As likened to an innocuous fairy tale rash, the movie mythology surrounding J.M. Barrie’s classical kiddie character “Peter Pan” comes and goes when it pleases. Naturally there have been several big screen interpretations to outlast one’s reserved stash of pixie dust to fling around. From perhaps the best known animated film adaptation of Walt Disney’s nostalgically revered version to the surprisingly big-budgeted Steven Spielberg-directed spectacle dud Hook with a high-caliber cast the legend of “The Boy That Never Grew Up” seems to spark the challenge of presenting yet another spin on Barrie’s iconic treasured tyke.

In director Joe Wright’s sci-fi fantasy action-adventure Pan the familiar factors of Barrie’s magical Boy Wonder are evident and should serve as a mild and manufactured revisit to the “Peter Pan” folklore for children of all ages. However, the whimsical aspect of Pan was dubiously overshadowed, overproduced yet curiously understated in its ability to convey a storytelling moment that did not seem laborious. Consequently, Pan feels mechanical and never quite settles in with any sense of breezy charm or youthful balance of wonderment. Instead, the audience is left wondering about the uniqueness and distinctive approach to an already ubiquitous serving of Barrie’s celebrated literary lad. Despite the vibrant visuals and the given big screen blueprint for “Peter Pan’s” endearing legacy Wright’s toothless tale of flashy action and adventure may just prove to be another proverbial flash in the Pan.

Clearly, there is no rhyme or rhythm to tamper with the built-in concept of what the majestic make-up for “Peter Pan” should be conceived in the minds of generations that were subjected to Barrie’s boundless boy. Still, Wright and Jason Fuchs fail to capture any fresh imagination or intrigue about the puppy dog-eyed youngster’s on-screen by-the-dots adventures. This pumped-up project is pedestrian at best and nothing more than another sparkled rung in the “Peter Pan” ladder of box office hits-and-misses. The casting for Pan is decent enough but the shoddy material they are left to elevate with their included presence is wasted in a stillborn fantasy odyssey that cannot overcome its own creative indifference.

Pan seeks to start out with its own embedded twist by delivering this narrative as a prequel set in 1940’s London. Here, we are introduced to 12-year old Peter (Levi Miller) whose disillusionment continues to spiral while staying at the chaotic Catholic orphanage he was unceremoniously dumped off courtesy of his desperate mother (Amanda Seyfried). Nevertheless, Peter maintains some semblance of hope that his mother will soon return to fetch him and all should solve whatever abandonment issues he has at hand.

Soon, Peter and his fellow orphanage buddies will succumb to the clutches of Blackbeard the Pirate (Hugh Jackman). Evidently bad boy Blackbeard had been a notorious busy beaver by sadistically kidnapping working class children and shipping them off to his Neverland mines to toil there. However, Blackbeard and his bunch cannot be too bad to tolerate since they welcome out-of-the-blue snappy sing-a-longs to such noteworthy tunes as Nirvana’s “Smells Like Teen Spirit” and the Romones’ “Biltzkrieg Bop”. Huh? Of course this impromptu musical sequence is not the only thing that seems curiously out of place in the disjointed Pan.

Okay...so Hugh Jackman has both a black beard and a black heart in PAN. How about a blackboard to erase this ill-conceived ode to the J.M. Barrie treasured tyke?
Okay…so Hugh Jackman has both a black beard and a black heart in PAN. How about a blackboard to erase this ill-conceived ode to the J.M. Barrie treasured tyke?
It is not long before the plagued Peter meets and becomes attached to a hustling drifter named James Hook (Garrett Hedlund). Yes folks…it appears that Star Wars comparisons are in order here as Peter’s Luke Skywalker teams with shifty Hook’s Han Solo to defeat the devilish Blackbeard’s Darth Vader. And you might want to ask who is the Princess Leia in this disguised Star Wars premise amid the mines and high seas? Well, in this case Princess Leia is in the form of Pan’s Tiger Lily (Rooney Mara). Thus, the gang assembles together in an attempt to thwart the iron fist of Darth Vader…er, the diabolical Blackbeard. The excitable exploits of the crew coming together to defeat the pesky pirate is meshed together with the flashy flourishes of random 3-D special effects, the vitality of color and scope and playful variations of well-known “Peter Pan” personalities. Hence, all the festive and feisty flexing that Pan demonstrates still cannot compensate for a lackluster execution of Wright’s anemic installment that botches a ready-made backstory for “Peter Pan” enthusiasts.

As Peter, Miller shows some solid and impish promise as the boy searching for self-discovery in a bizarre surrounding of despair and disappointment. Jackman’s over-the-top villainous Blackbeard is simply passable but nothing really worth hanging your hat on. Jackman’s plotting pirate will not make anyone dismiss Johnny Depp’s Captain Jack Sparrow from the Pirates of the Caribbean movies anytime soon. The added elements in supporting players such as Hedlund’s Hook and Mara’s Tiger Lily (not to mention the Lost Boys) feel synthetic and arbitrary–something not very encouraging as these characterizations are essential to the whole “Peter Pan” universe.

Unfortunately for Pan one might end up saying never mind to the boisterous yet aimless shenanigans situated in Neverland.

Pan (2015)

Warner Bros.

1 hr. 51 mins.

Starring: Levi Miller, Hugh Jackman, Garrett Hedlund, Rooney Mara, Amanda Seyfried

Directed by: Joe Wright

MPAA Rating: PG

Genre: Sci-Fi Fantasy and Adventure

Critic’s rating: ** stars (out of 4 stars)



> Its when Peter stepped into the Neverland for the first time.

Usually everyone loved growing up watching the various film adaptations of original work by JM Barrie's a century old creation, 'Peter Pan'. There are plenty of unofficial prequels and sequels were also made and met success. Yet this prequel with high budget and modern technology, but not a Disney film, generated some expectations with stars like Hugh Jackman and Rooney Mara in it.

The box office was not as expected, and the movie was also just above average, but I liked the performances and visuals. The story is about an orphan Peter who becomes a Pan, a leader to 'the lost boys'. The opening line goes like this: 'Sometimes friends begin as enemies and enemies as friends' and that's what the rest of the movie evolves.

I don't think I liked this story. In all the prequels, I loved the Nick Willing's 'Neverland' who is a master of prequels to all the greatest fairytales. I disappointed with this only because of lack of the depth in narration, short storyline and quick scenes, other than that it was not a bad flick to me. The main relief was, it was not like the recent 'Alice in Wonderland' style movie with the weird costumes, makeups and the character physiques.

Despite all the negative feedback for this flick, I feel it won't hurt for a one time watch. My eye is now on its sequel, because before the Wendy's introduction there's another story is to be told and that is between Peter and Hook. But now it's on doubt over the result of this movie. Anyway, I'm on for it and hope it only gets better than the original.

6/10
I found this to be a quite enjoyable family movie derived from the Peter Pan story we all love. I am not really sure why it holds a fairly mediocre rating on most rating sites. It is undeserved as far as I am concerned.

The movie is a prequel which tells the story of how Peter became Peter Pan. I think the story is fairly well done and allows for both adventure and humor.

The characters are pretty good although I found Peter Pan to actually be the weakest of them. Hook and Tiger Lily not to mention Blackbeard stole quite a lot of my attention. Peter Pan is not bad just a little…bland.

The movie is darker and more real than other Peter Pan movies. Blackbeard is a rather nasty villain and there are certainly more danger for the good guys in this movie. People do not just get nocked down and come back, they really die.

The special effects are not bad. I quite liked the pixie swarms at the end of the movie. Also, unlike what some reviewers state Peter Pan does fly in the movie. I can only assume that those who state that he does not never bothered to see the movie to the end. Do not review a movie if you cannot be bothered to finish it for Christ sake!

The movie leaves a bit of a whole between the end of this story and the beginning of the traditional Peter Pan story. What happened to make Peter and Hook become enemies and what is the story between Hook and the crocodile for instance? I certainly would not mind a second movie about that.

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